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The awakening of Chinese aesthetic consciousness——Aesthetic Thoughts on “People”
Author: Huang Yusong
Source: Author authorized by Confucianism. Originally published by “Theory Journal” No. 1, 2023
[Summary] The appearance of the word “beauty” in the oracle bone inscription marks the emergence of Chinese aesthetic consciousness, and is connected with “goodness”. The subsequent Chinese literary works “Yi Shu” and “Shang Shu” did not have the word “beauty”. “People” appears in a large number of characters “beauty”, and are no longer related to “good”, but are consolidated by the higher value word “good”. This means that Chinese aesthetic consciousness is independent from moral consciousness, and marks the awakening of Chinese aesthetic consciousness. This is the true beginning of Chinese aesthetic thinking. All the words “beauty” in “Penyu” describe people, including the beauty of women and the beauty of men. It expresses that Chinese aesthetic thinking is not artistic aesthetics from the beginning, but “human aesthetics.” This means that the awakening of Chinese aesthetic consciousness is the awakening of human beings, and its connotation is the restraint of human emotions, especially the unrestrained expression of love between men and women. Therefore, all the word “beauty” in “People” appears in “National Style”, which means that the Chinese aesthetic consciousness first appears among the common people, that is, it is not the ethical and political thought explained by later Confucianism. At the same time, “Pennial” not only began to have poem reflections of poetry art, but also began to have aesthetic reflections of poetry art, which is the beginning of artistic aesthetic thinking.
Citation
Does there be any aesthetic thoughts in the earliest collection of Chinese poems? Some scholars believe that “People does not have theoretical aesthetic thinking, but as a human being’s aesthetic product of real aesthetics, it contains very rich understanding and aesthetic thinking.” [1] Here, it is correct to divide “esthetics” and “appreciation [of the beauty], but it says that “People” only has “aesthetics” but does not have “aesthetics”. What is the “thinking” that depends on “thinking”. In fact, thinking may not necessarily have a systematic “theoretical form”; otherwise, even Zhou Gong and Confucius did not think. This article will analyze and prove that “Pen Shu” not only has a good attitude, but also has aesthetic thoughts.
However, the first chapter of the famous book “The History of Chinese Aesthetics” by Teacher Ye Lang is “Laozi’s Aesthetics” and the second chapter is “Confucius’ Aesthetics”, which is not listed in the earlier “People” of the era. This is because, in his opinion, the “development period of Chinese classical aesthetics” began at the end of the age, “this development is the development of philosophy”, “Aestheticists of this period, such as Laozi, Confucius, the author of “Yi Ji”, Zhuangzi, Xunzi, etc., are all major philosophers”, “their aesthetics are theirs.A part of the Philosophical System.” [2] According to this, since “People” is not a philosophical work, it is certainly not as aesthetic work. But the question is: What is “philosophy”? If philosophy and aesthetics mean reflection, then “People” also has reflection, including reflection on aesthetics. Aesthetics is not reflection on aesthetics, but reflection on aesthetics, that is, it clearly means When you understand “what is beautiful”, you will clearly give the evaluation of “beauty”. The relationship is: aesthetics – reflection → aesthetics – praise → things. From this we can see that the emergence of the word “beauty” in the Han Dynasty marks the birth of Chinese aesthetic consciousness, which can be traced back to oracle bone script. [3] In detail, you should pay attention to the difference between aesthetics and aesthetics, especially the value judgment of “beauty”. The meaning of the lyrics.
So, a phenomenon that looks very special, beautiful and good to listen to, and is beautiful and singing? Beautiful…singing…sweet? Spicy sounds.: Although the word “beauty” appears in the oracle bone inscriptions in the Shang and Zhou dynasties, the word “beauty” in China’s most ancient world-renowned literature, “Yi Shu” (Ancient Department) and “Shang Shu” (Modern Text) actually have no word “beauty”. [4] This confession that “Yi Shu” and “Shang Shu” do not have aesthetic meanings, nor do they reflect the aesthetic concepts of that era. But at the same time, “Pen Shu” has a large number of “beauty” characters (40 times in total). Some scholars have pointed out that China “the concept of beauty is fixed on the word “beauty”; “In “Feng”, “beauty” is displayed with great talent.” [5] Therefore, it can be said that the beauty of “Pen Shu”Breeding marketStudy concepts mark the awakening of Chinese aesthetic consciousness, which is the true beginning of Chinese aesthetic thinking.
About the aesthetic thinking of “People”, two areas should be paid attention to:
First It is the division between “aesthetics” and “artistic aesthetics”. This is corresponding to the division between “appreciation” and “artistic aesthetics”. Appreciation of beauty does not mean artistic aesthetics, and aesthetics does not mean artistic aesthetics; aesthetics is a reflection on aesthetics, and artistic aesthetics is a reflection on artistic aesthetics. Although “People” is regarded as a linguistic art work tomorrow, its appreciative and aesthetic thinking does not mean artistic evaluation Beauty and artistic aesthetics, because the important application of the word “beauty” in “Pen Shu” is not art, but things that are long and short, especially people themselves. From this, it can be said that the beginning of Chinese aesthetic thinking is not artistic aesthetics.
The second is the division between “Pen Shu”‘s own aesthetic thinking and the aesthetic thinking of the ancients. (1) In the existing “Pen Shu” During the discussion, the word “aesthetics” often refers to its own aesthetic thoughts, but the aesthetic thoughts of the ancients: such as “the aesthetic meaning of “aesthetics”” [6], “the aesthetic value of “aesthetics”” [7], “the aesthetic meaning of “aesthetics”” [8], “the aesthetic notes of “aesthetics”” [9], etc., are all discussed by the ancients with the perspectives of a certain modern aesthetic.The aesthetics of Poetry” means “an analysis of the existing beauty of the guest of Poetry” from the perspective of aesthetics” [10]. (2) At the same time, in the existing “People” discussion, “Aesthetics” also refers to another category. At most, from the perspective of its topic, it actually refers to the aesthetic thoughts of “People” (actually the aesthetic consciousness of the Poetry) [11], which is the question to be discussed in this article.
But the actual statements of this type of article often mix the above-mentioned segments. For example, some scholars discuss the “Aesthetic content of “People” from four aspects, namely “the kindness of “‘harmony’”, “the ‘concern’ consciousness and the problem of “beautiful sting” and “comparison’彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票网彩票� Some students believe that “Pen Shu” has “virtual aesthetics” because “the so-called virtual and practical are a relatively aesthetic concept” [13]; however, in terms of meaning “virtual” belongs to aesthetic concepts, it is difficult to prove. Some students believe that “harmony” is also “aesthetic thinking” [14]; however, the study of Chinese philosophical history also discusses the problem of “harmony”. Some scholars believe that “Pen Shu” has “a sense of life aesthetics” because the “life-rich and life-oriented aesthetic objects contained the extremely positive life passion of the Zhou dynasty and the cheerful life desires of the Zhou dynasty” [15]; this not only mixed “aesthetics” and “aesthetics”, but also did not fail to say that “aesthetics” and “aspiration of life” and “aspiration of life” are aesthetic problems. Some scholars say, “The Psalm” laid the foundation for the characteristics of Sumei beauty, natural beauty and neutral beauty in the Chinese aesthetic energy”[16]; however, why are the words “Salm”
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